Post Carousel – Style 1
Jesse Kove has stepped into the film industry with the kind of quiet momentum that can only come from grit, purpose, and an unwavering belief in the long game. What makes Jesse compelling isn’t just his talent, but the intention behind it. He treats storytelling as a responsibility; to make people feel, to reflect resilience, and to show what’s possible when passion meets perseverance. Whether he’s stepping into the boots of a conflicted gunfighter or slipping into the soot-stained coat of a determined firefighter, he carries with him a sense of purpose that’s impossible to ignore. Kove doesn’t talk about “making it.” He talks about building, carving, and honing his craft. And that mindset is threaded through every performance he’s delivering this year.
Before he was a celebrated painter and sculptor, Sir Daniel Winn was a child of war. His latest film, Chrysalis, transforms that past into visual allegory—a cinematic reflection on memory, identity, and the enduring power of art to heal. Shot on location in Vietnam, the film captures not only the landscape of a nation in transition, but the emotional terrain of a boy finding his place within it. A journey from a painful war-torn childhood to artistic rebirth, Chrysalis renders Sir Daniel Winn’s life of survival as a cinematic act of transformation.
Nashville, Tennessee
In the old fairy tale, Goldilocks sneaks into a house that isn’t hers — quiet, curious, and careful not to break the rules. But this Goldy? She’s rewriting the story. Goldy isn’t here to stay small, be sweet, or settle for what’s “just right.” She’s kicking down the industry’s doors with her “Only Talent” campaign — a bold, bare protest against a system that still tells women to lead with skin, not skill. This is no fairy tale. It’s a reclamation. A rally cry. And Goldy’s not running away — she’s building something of her own, and she’s daring the world to listen. She’s not just raising her voice — she’s calling out the industry’s obsession with skin over skill.
With a deep commitment to the arts and a vision for advocacy, Hayden Rivas is building a career that goes beyond performance, aiming to create inclusive space, equality, and opportunity for others in the industry. He’s not just another standout in the studio; he’s a pioneer of blended ambition. he’s a dancer, academic, advocate, and creative. It’s clever, especially since he’s literally holding a hat on the cover.
In a fashion world obsessed with deadlines — seasonal collections, age expectations, and the pressure to have it all by a certain time — designer Santia McKoy is choosing something radical: her own timing. At the intersection of couture and culture, McKoy is rewriting the narrative of womanhood, one stitch at a time. In her latest release — The Surprise Collection — she turns an unexpected pregnancy at forty into her most intimate work yet, blending Black motherhood, Caribbean heritage, and creative rebirth into a bold statement of power, celebration and self-defined success. This is more than fashion. It’s a reclamation of timing, identity, and truth.